Venus of Willendorf
A Brief Study of Archaeological Misogyny and Fatphobia, With a Few Snarky notes about Modern-day “Pagans”
Venus of Willendorf
Paleolithic “Venus” Figurines
In addition to the first discovered “Venus of Willendorf” statue, numerous other paleolithic sculptures have been found of female forms that are described in today’s clinical, fat-hating language as “obese”, i.e., diseased. The archaeologists then, in their supreme wisdom, have tried to find a way around giving any credence to the idea that people in pre-historic times could have been “obese” or found “obesity” to be desirable.
A common way of explaining the statue is that “she’s pregnant”.
That seems like an awfully big stretch of the imagination to me. I’ve been fat and pregnant and it doesn’t look remotely like that. Her stomach does not resemble that of a pregnant woman. And since he is pre-supposing (earlier in the article) that all prehistoric women were skinny – have you ever seen a skinny pregnant woman? She’s all belly, usually. Skinny women don’t tend to gain much weight during pregnancy just as they don’t at any other time. This is why all these celebrated anorexic stars get splashed all ove rthe magazines after giving birth to make the rest of us feel bad. The reality is that the heavier you are when you get pregnant, the more weight you are likely to gain during pregnancy (and retain afterwards.) Its a simple fact of the way bodies work, independent (regardless of the hype) of one’s lifestyle or eating habits. Also, while there is some weight gain in the thighs and backside that is normal and common to pregnancy, the heavy weight shown on the statue’s back and sides is not a feature of pregnancy. It is, to anyone who knows or has seen a nude fat woman, very typical of a heavier female, often one somewhat older than the early twenties.
Witcombe recognizes this but again misses the reality of the human body, caught up, as is not unsurprising, in our culture’s vilification and myths about fat people:
I can say from first hand experience this is grossly (no pun intended) untrue. I have not led “an easy life” in which I was “catered to” – in fact my adult life has been marked by a much higher level of physical labor than many of the skinny middle class women I’ve known, and periodic personal famine brought about by poverty or anorexia. I’ve gone days without eating a thing, days and days, lost 25 pounds in a week from starvation and the sheer physical effort I needed to put out to keep working, last week I biked six miles and spent the afternoon chopping wood – all while remaining clinically “obese”. My body looks not terribly unlike the Venus of this statue. It isn’t because I sit around being fed bons bons all day, I can assure you. But aside from this – it is now widely known that the descriptions of the hardships of the hunter-gatherer’s life have been wildly exaggerated: http://en.wikipedia.org/wiki/Leisure#Cultural_differences
But I don’t want to pick on this particular article too much because in other ways it raises some good points, such as this gem:
“To identify the Willendorf figurine as “Venus,” then, was a rich, male joke that neatly linked the primitive and the female with the uncivilized and at the same time, through implicit contrast with the Classical Venus,
served as a reassuring example to the patriarchal culture of the extent to which the female and female sexuality had been overcome and women effectively subjugated by the male-dominated civilizing process.
“By naming her “Venus,” a set of associations is brought to the image that influences our response to what we see. In one respect, she becomes a negative image, a “failed Venus” who, by the standards of the Classical Venus, is not beautiful and is not sexually attractive.”
But overall the perception and naming of these ancient stone figures, wherever they are found, is that of “Mother” this and that, displaying much more of a modern bias on how women are viewed than any proof that this is how they were intended to be seen. For example, look at the second sculpture on this page:
http://history.hanover.edu/courses/excerpts/165goddess.html
They call this statue a “Mother” goddess. She doesn’t look pregnant to me. The pregnant belly is hard and protruding. Look at her upper arms, look at the folds of fat over her knees – she’s fat! Moreover, the way her body is depicted indicates she is liekly an older fat woman, as the body fat distribution and general shape are not typical of a woman in her twenties. Now why would someone have carved a statue of a body type they found unappealing or a detriment to society, especially in such a position?
Look at the statue again. What is she doing? She is seated on a large chair – a throne? – one that is ornate and carved itself, seems to be wearing a hat (or crown?) of some kind. Since she is clearly not pregnant to any unbiased examination of her nude body, and the statue was found in a grain bin, it seems quite probable that this statue is a celebration of the long life and prosperity – symbolized by fatness – that having enough food to store away for the winter brought to early humans.
The point is brought up by several archaeologists that there are no representations of “obese” men in unearthed paleolithic sculpture. This is partly why they dismiss out of hand the odea that obesity could have been considered a desirable trait. But I can think of several reasons why this would not have been the case. First of all, men do not live as long as women. Weight gain is much more likely in someone who lives a long time. Fat also is a defining physical charateristic of women, something that separates them from men. In spite of the fat-hating, woman-hating medical culture which demands a “healthy” woman should weigh less than a man of the same height, fat women – even “morbidly obese” fat women – statistically outlive men, even skinny men. And even medical science is forced to admit that women require 7-10% MORE body fat than men as an ESSENTIAL part of their bodies. The recommended amount of body fat for women is ONE QUARTER OF THEIR ENTIRE BODY. So it could be easily argued that fat hatred is, quite simply, woman hatred.
But back to the lack of obese men in sculpture. Given that women are naturally fatter than men, and more long lived, is it not likely that these sculptures of “obese” women are depictions of older women in prehistoric society? Would not such longevity have been praised and hoped for, even as it is now? The “Grandmother hypothesis” now suggests that grandmothers, far from being the frail, inept, helpless women our society desires to caricaturize them as, were vital to the survival of humankind and even that menopause developed as a survival trait in humans. But lest I feed the tired old notion that women always gathered and men always hunted, there are even modern examples of hunter-gatherer societies such as the Agta where women hunt – at least before encroaching civilzation began to destroy their way of life. And witness the “skepticism” (read, misogyny) by these anthropologists over another anthrolopological teams reporting that the women did hunt:
In conclusion, I would say that one must always suspect interpretations put upon prehistoric evidence that “just happen” to exactly repeat the way society is today. Most anthropologists are heavily invested in the patriarchy and tear to shreds verbally any of their number that suggest the patriarchy was not always so firmly established, and perhaps that at some point it did not even exist at all. They cannot seem to grasp that the concept of beauty is almost entirely cultural. They cannot seem to grasp that women may have been venerated for any reason other than their birthing capabilities. When they find a satue of a man seated on a throne, they assume it is a king or ruler who is being venerated – when they find a statue of a woman on a throne they call her a mother, fertility goddess, or say “gee no one knows what they were thinking!” One doesn’t have to look far to find all feminist interpretations of archaeological evidence mocked, even as they admit they have no way of knowing what prehistoric people were really thinking when they sculpted a figure.
But to contrast modern, media-influenced pop culture paganism with ancient goddess worship, consider the juxtaposition of the following images (and I’m even leaving out the “goddess” images which are merely porn shots of young women):
Modern “goddess” art:
http://www.flickr.com/photos/sooticasdream/311318073/
http://www.flickr.com/photos/architect4/157667315/
http://www.flickr.com/photos/22203480@N05/2216539858/
http://www.flickr.com/photos/pandoras_box/1111244851/
http://www.aboveallart.com/images/valueva_sea_goddess.jpg
http://www.flickr.com/photos/melanelago/2336047064/
http://images.epilogue.net/users/shadowgirl/dark_goddess.jpg
http://www.dannychoo.com/blogimg/goddess2.jpg
http://www.flickr.com/photos/skyofqtown/423230053/
Notice that with one exception only these are white women, and ALL young, extremely thin, and mostly naked (with a bit of civilized modesty thrown in)? These are the popular images of goddess in modern pagan society. These are what come up first on an internet search. Eschewed and forgotten are these, which I have to type in a particular name to find, yet who in many cases were the revered – or feared – goddesses/warrior queens of their time and place (and even in those I have to filter out pornographic photos of young this white women to find real depictions):
Kali dancing on her husband’s corpse
Durga
Hecate, mistress of magic, goddess of death, and huntress
Oya
Coatilique, Serpent Queen
Isis-Maat
Kwan-Yin
Ishtar 1
Ishtar 2
(Note to those who don’t know – I deliberately included in here many goddess modern day pagans find “evil” or “dark”. Not by chance do these also happen to be the most powerful ones.)
August 21, 2008 at 4:31 am
Do you know about the suppressed histories archive?
http://www.suppressedhistories.net/
Max has been working for like 20-30 years on finding images of women and goddesses of many cultures and preserving them. Great job with this BTW. I cannot STAND all that new-agey art wherein the “goddess” is always white, thin, with long flowing tresses and perky breasts, in some idyllic setting as though she’s never done a thing but sit on her white horse and look pensive. Gah.
August 21, 2008 at 6:09 am
Great run-down! And as an archaeologist I can assure you – most of it IS a fancy form of guessing. There’s SO much subjectivity in archaeology. Especially prehistoric archaeology! And so many archaeologists don’t really want to acknowledge that.
I also never thought that Willendorf looked pregnant, just fat. And why should it be so hard to think that a gatherer/hunter people would create an image that clearly speaks to great abundance? I’ve always thought that her lack of face indicates a Goddess of some sort, or some kind of anthropomorphic personification of some idea, rather than a depiction of a living person, which Witcombe seems to think.
Oh, and just to let you know, that Goddess figure from Catal Hoyuk has had some parts of it recreated by Mellaart (I believe it was him). Primarily the head, as well as at least one head of the animal figure on the right. You can see it in the photo you linked to- the clay is a different colour. None of which changes anything you said- I mean, a grand figure on a big chair flanked by leopards? Obviously someone of great importance! Something that Mellaart said about this figure I always thought was really freaking odd. He claimed that that little blob between her feet was a baby crowning. *ahem* Excuse me, sir, my vagina is not AT MY FEET.
Clearly suffering from that “all females must be mothers” thing.
Thanks for this :-)
August 21, 2008 at 10:01 am
Crowfoot – you know I was wondering because I had seen another picture of that statue without a head.
I don’t know how authoritatively one could take Jean Auel’s books but I do know she researched them a lot before writing them. The characters in her book who carve the little goddess statues don’t put a face on them because they believe they shouldn’t for various reasons. There are a number of religions that believe they shouldn’t sculpt or draw the face of their gods, Jews and Muslims among them, so it seems not far fetched to me.
Amy – thanks for the link! I will definitely check it out.
August 23, 2008 at 7:02 pm
There are a number of religions that believe they shouldn’t sculpt or draw the face of their gods, Jews and Muslims among them, so it seems not far fetched to me.
Maybe I was unclear? This is exactly what I meant. I think the lack of face very strongly suggests a deity of some sort, rather than a famous person. We’re in agreement :-)
And another thanks to Amy for the link.
August 24, 2008 at 2:37 pm
Amananta, I adore you.
For serious, I used to hang out with the fucking asshole misogynists who are 99.99% of young white male “goddess-worshippers.” These people are disgusting fucking assholes who have simply tried to incorporate into religious belief the idea that truly liberated women love to make porn for them. I mean, after all, she’s doing it because she’s an empowerfulated goddess. If I have a problem with it, I must hate her strength.
August 26, 2008 at 6:37 pm
This is a wonderful post. I know this is subjective, but I’ve always felt the V of W to be a very powerful figure, worthy of reverent approach. And I believe you are so right about fat hatred = women hatred. Men want us young, thin, and vulnerable? Let’s aspire to survive to become powerful crones in experience, build, and self-sufficiency. Eww, they hate that!!
February 3, 2009 at 7:55 pm
I grew up with her…Then i discovered her sisters spread through out the Old World. i had an ephiphany: in a world of constant hunger pangs, a time of ‘Will i eat again any time soon?” an era of starvation at the end of every winter season…. look at the image… everyone hopes there will be a time when we can all get fat…. simple…our clan has food … our women are fat with excess…. this is our HOPE AND DREAM..(anorexia is normal…just what we all need as we slowly starve : a young girl cheerleader in an up mood eating next to nothing and not complaining lol)